Genuine reader-response rather than heavy-weight academic discussion.    From Wordnik.com.  [Puisy - Poesy: Peaches for Poets] Reference

Postmodern interpretation, reader-response and all that, is fun: granted.    From Wordnik.com.  [Götterdämbiguity] Reference

With enough reader-response I might sit down and pound out a good CPL tutorial.    From Wordnik.com.  [Introduction to the Primos Operating System by Violence of The VOID Hackers] Reference

I suggest is found in the Songs is not the same as that understood in reader-response theory.    From Wordnik.com.  [Blake's Contraries Game] Reference

As for dreams, maybe there is something for me from a reader-response approach, but I don't know yet.    From Wordnik.com.  [ICFA] Reference

It is one thing to "do" narratology or reader-response criticism or even Marxist criticism, and another to.    From Wordnik.com.  [Introduction] Reference

Knowing the theories of hypertexts does not help, and reader-response theory only tells me that no, I am not the model reader of this!.    From Wordnik.com.  [04/01/2004 - 05/01/2004] Reference

The evidence of reader-response is from one brand of ancient Christianity the winning brand and some time after the originals were written.    From Wordnik.com.  [Mythicist Misunderstanding] Reference

More good insight on what NOT to do can be found over at The Blog of Proximal Development, where he says Do not use blogs to replace writing or reader-response journals.    From Wordnik.com.  [As the new semester approaches...] Reference

Along with its offshoot, "reader-response" criticism, it was a mischievously extreme skepticism that regarded all meanings and judgments as contingent on the "subject-position" of the reader.    From Wordnik.com.  [The Decline and Fall of Literature] Reference

To varying degrees, these poets have delved into what literary critic Reuven Tsur has called Cognitive Poetics, a field of study that has taken "reader-response" theory to a whole other level.    From Wordnik.com.  [Travis Nichols: This is Your Brain on Poetry] Reference

Pilgrim's Progress, as reader-response critics have rightly noted, is not put forward merely to describe the journey from destruction to eternal life; it is there to guide you as you are reading it.    From Wordnik.com.  [Spiritual Images] Reference

The topics of my writings here are among other things media studies, reader-response theory, role-play games, Internet Culture, travel, academic weirdness and online communication - put together at random.    From Wordnik.com.  [thinking with my fingers] Reference

I am especially confused by those who claim to be fond of reader-response theory, but have disdain for unreliable narrators, since unreliable narrators force the reader to play a more active role in interpreting and shaping the narrative.    From Wordnik.com.  [Strange moon, strange land, strange man.] Reference

In a sense, if one approaches Shahn's series from the perspective of reader-response theory, the tragedy of the fire (in the Hickman series) and the Holocaust (in "Allegory") are all the more terrifying and devastating because the features of the victims are abstracted.    From Wordnik.com.  [Menachem Wecker: Exhibit Finds Holocaust Reference in Art of 1947 Chicago Homicide Case] Reference

Mapping a reader-response might be easier in a relatively stable reading community like SF/F, but with a project that is supposed to be trans-genre or even non-genre, the affect mapping becomes much more problematic as a way to talk about what brings a certain set of weird stories together.    From Wordnik.com.  [Thoughts About Thoughts to Think About Before Reading FEELING VERY STRANGE | Goblin Mercantile Exchange] Reference

And in the third place, with the help of reader-response thinking we can say that we have negatively capable readers as well, who, like the author/speaker, similarly don't know the answers to the questions but are satisfied without knowing, accepting at the end a kind of contented irresolution.    From Wordnik.com.  [Fifty-nine Ways of Reading 'Ode on a Grecian Urn'] Reference

But rather than try to make the case that a Trinitarian reading in the full and precise Nicene sense makes the best sense of this Gospel, instead we get what is at best a reader-response treatment, illustrating how a Protestant who wishes to adhere to Nicene orthodoxy might read and write about this Gospel.    From Wordnik.com.  [Review of Kostenberger and Swain, Father, Son and Spirit: The Trinity and John's Gospel] Reference

Waters doesn't seem to realize how close his notion of studying "how human beings respond to art" is to Stanley Fish's version of reader-response criticism -- which posits that what counts in the literary experience occurs "in the reader" -- while at the same time he identifies Fish as one of those pied pipers leading academic criticism astray.    From Wordnik.com.  [Literary Study] Reference

After listening to a man who presented as if he had singlehandedly discovered remediation in blogs and called it reframing, without once mentioning either cultural studies, semiotics, intertextuality, reader-response theory, postmodern media theory or even Bolter, Grusin and remediation, I am starting to think that perhaps there's a trend here.    From Wordnik.com.  [Archive 2005-05-01] Reference

You might think that, given my assent to John Dewey's conception of art and literature as modes of experience -- which in one of its subsequent reformulations became Stanley Fish's version of "reader-response" theory -- I might find the notion that I could properly use art "to come to some understanding for myself" entirely acceptable, even an immediate consequence of Dewey's own philosophy of art.    From Wordnik.com.  [Principles of Literary Criticism] Reference

We might well challenge reader-response criticism as focusing on the amount that a reader "puts into" a text to the detriment of what they "get out of" it.    From Wordnik.com.  [Notes From The Geek Show] Reference

Below Axis of Logic lists the titles of reader-response letters posted on Ynet to give an idea of the mentality of the readers of those who would "obliterate".    From Wordnik.com.  [Wake Up From Your Slumber - The Truth Will Set You Free] Reference

With reader-response criticism as field in its own right, the manipulative operations of narrative are clearly of more concern than that unfashionable form of critique focusing on the artwork as the expression of an artist.    From Wordnik.com.  [Notes From The Geek Show] Reference

After a thorough historical overview of hermeneutics, Thiselton moves into modern times with extensive analysis of scholarship from the mid-twentieth century, including liberation and feminist theologies, reader-response and reception theory, and postmodernism.    From Wordnik.com.  [Integrating Missionally] Reference

In literary criticism, deconstruction and reader-response models try to deal with this problem, deconstructionists pointing out the inherent instability of all language, reader-response critics insisting that all meaning resides in the audience's interpretation.    From Wordnik.com.  [VERBATIM: The Language Quarterly Vol XVIII No 2] Reference

I’ll be fascinated by the reader-response from that group.    From Wordnik.com.  [Fantastic Women: Lois McMaster Bujold (part the 1st)] Reference

What are your thoughts on intentionalism versus reader-response theory?’”.    From Wordnik.com.  [The Status Galley: How to Pick Up Girls With the New Roth] Reference

A "third text" or a "virtual text," as Behrendt suggests in his discussion of Blake and reader-response theory, but it certainly comprises a hypertext function.    From Wordnik.com.  [Blake's Contraries Game] Reference

In my own attempt to formulate a reader-response theory, I reviewed a week’s worth of front pages of The Washington Post, The Los Angeles Times, and The New York Times in September and compared them with each day’s most – e-mailed list, which seemed more useful than the most-blogged list, because it factors out agenda-driven blogging.    From Wordnik.com.  [The Pleasure Principle] Reference

Pontifus: but if the subject is the art, and the object is the discourse 4: 30 AM lelangir: ah Pontifus: they’re inside the same semiotic construct, sure lelangir: oh ok isee that Pontifus: but separate lelangir: nice hmmmm Cuchlann: This is all reader-response and phenomenology, that the art doesn’t have the meaning, the audience does.    From Wordnik.com.  [Anime Nano!] Reference

Not to mention reader-response theory.    From Wordnik.com.  [The Morning News] Reference