Compounded with blues and bright yellows such as aureolin, it gives fine autumnal russet greens.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Compounded with aureolin, Venetian red yields a clear orange of considerable transparency.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

With French blue it affords a beautiful sea green; and, mixed with aureolin, gives fine foliage tints.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

To our knowledge, aureolin is quite uninjured by the severest tests to which a pigment can be subjected.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

With all other colours aureolin mixes safely and readily, forming combinations of the utmost variety and value.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Compounded with aureolin, it becomes softened and semi-transparent, yielding spring tints of extreme brilliancy and beauty.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

For mural decoration, aureolin is admirably adapted, but it cannot be used in enamel, the colour being destroyed by great heat.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

The foregoing sufficiently proves the value of aureolin in water, and similar flattering notices have been given of the colour in oil.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

We can give it no higher praise than by saying it equals aureolin in stability, as well as in neither injuring, nor being injured by, other colours.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

With aureolin and burnt Sienna, or Vandyke brown, it affords valuable autumn greens; and with lamp black, or lamp black and light red, good stormy clouds.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Used with white, it yields a range of sunny tones; and with aureolin or French blue and aureolin will be found of service, the last compound giving a fine olive green.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

For example, there may be formed from the primaries, a compound of aureolin, rose madder, and ultramarine; or from the secondaries, a mixture of cadmium orange, viridian, and madder purple.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

In combination with aureolin and sepia, or rose madder, cobalt furnishes most agreeable and delicate tints for distant trees, when under the influence of a soft light, or hazy state of the atmosphere.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Of course a mixture of two permanent pigments which do not react on each other will remain permanent; the green, for instance, furnished by aureolin and native ultramarine lasting as long as the ground itself.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Compounded with aureolin, sepia yields a series of beautiful and durable neutral greens for landscape; and mixed with Prussian blue, affords low olive greens, which may be deepened into very cool dark greens by the addition of black.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Used with aureolin, it gives foliage greens sparkling with sunshine; and, fitly compounded, will be found invaluable for the glassy liquidity of seas, in painting which it becomes incumbent to employ pigments more or less transparent.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

For glazing over foliage and herbage, a mixture of the madder with aureolin or gamboge is adapted; and for brooks and running streams compounds of this brown with raw Sienna, cobalt and raw Sienna, Vandyke brown, and French blue, will each be found useful.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

It imparts the vividness and freshness of nature to every colour with which it is combined; "and he brackets oxide of chromium with aureolin as a compound hue" extremely useful. ".    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Such a void aureolin fills.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference

Vandyke brown, burnt Sienna, or aureolin.    From Wordnik.com.  [Field's Chromatography or Treatise on Colours and Pigments as Used by Artists] Reference