Chaucer; and the heroic couplet, handled in the free, "enjambed" fashion of Hunt and Keats. From Wordnik.com. [A History of English Romanticism in the Nineteenth Century] Reference
"enjambed" from the previous one -- is strange to him, or sparingly used by him, or used without success. From Wordnik.com. [A History of Elizabethan Literature] Reference
"enjambed," very mobile, and in the right hands admirably fluent and adaptable couplet, which William Browne and Chamberlayne practised in the early and middle seventeenth century, which Leigh Hunt revived and taught to Keats, and of which, later than Mr Arnold himself, Mr. From Wordnik.com. [Matthew Arnold] Reference
"How could Zeke have known?" was the question that enjambed "What is. real, any - way?". From Wordnik.com. [In Other Worlds]
His free verse is aggressively enjambed: the only stopped lines are those that finish his sentences. From Wordnik.com. [Dance Of Death]
Your text has the energy, the enjambed imagery of a found and/or sculpted text—flarf or recombined. From Wordnik.com. [Vanessa Place, Round One] Reference
Instead of marking the transition from octave to sestet with the traditional change in rhyme, the poet shifts from enjambed to endstopped lines. From Wordnik.com. [The Little Professor:] Reference
Blank verse was tabooed as too prose-like; so, too, were the enjambed rhymes. From Wordnik.com. [Palamon and Arcite] Reference
All are written in mixed blank and rhymed verse, much interlaced and "enjambed.". From Wordnik.com. [A History of Elizabethan Literature] Reference
The "dissolving boundaries of his presence" complicate the poem, its images enjambed with social and historical references. From Wordnik.com. [Blog of a Bookslut] Reference
English poets to adopt the very loose enjambed decasyllabic couplet in which his work, like that of Marmion and still more Chamberlayne, is written. From Wordnik.com. [A History of Elizabethan Literature] Reference
He got me thinking more intensely about the line and its importance as an entity in its own right and how each line, enjambed or not, should attempt to evoke something meaningful, not just be a passive set up for a subsequent line or image. From Wordnik.com. [Critical Mass] Reference
In “Repository (Lamplight on, cone of curiosity),” where a forward momentum is sustained though the poem’s long sentences, enjambed through indented tercets (a formal means of deploying a force of displacement), we encounter a researcher, trained to objectively respond to and analyze historical materials (the sphere of work), experiencing these historical/work materials penetrating her person-al realm. From Wordnik.com. [YOU ARE HERE by MABI DAVID] Reference
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