EC17: How did the quattrocento reinvent the wheel?.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Garin, Eugenio, ed. Prosatori latini del quattrocento.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

EC7: What did the quattrocento think about the mechanical arts?.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

EC2: What did the virtue of Prudence represent for the quattrocento?.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

EC11: What do parrots and parakeets have to say about a quattrocento education?.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

EC13: What were quattrocento pedagogical views toward natural talent and experience?.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

In the quattrocento, imitation (equaling) did not signify "copying," as it does now.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Or perhaps the rituals of the Florentine table in the quattrocento are of greater interest?.    From Wordnik.com.  [Rossellini's Television Masterworks] Reference

"Rationalization," post-Descartes, is quite different from the quattrocento sense of ratiocinatione. back.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

The Prince offers insight into the political machinations in Italy during the latter half of the quattrocento.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Although nature and artifice were considered dialectically distinct in the quattrocento mind, they were not polarized.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Innate talent was as mysterious to the quattrocento as it was for Vitruvius, who describes it as "hidden in the breast.".    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

It would have been consistent with late quattrocento thought-craft, since it was a number that was very much "in the air.".    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Or, if you prefer to equip yourself with a contextual synopsis of late quattrocento views of thought - and material craft, go to chapter 3.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

For the quattrocento mind, however, space was more heterogeneously conceived, with thought emerging precisely from within its discontinuities.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

This question occupies chapter 4, in which I examine the interdependence of architecture and memory in the education of a quattrocento prince.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Its furniture, including monstrance and candlesticks, quattrocento confessional — the lot — was in impeccable taste and, no doubt, awfully valuable.    From Wordnik.com.  [Tied Up in Tinsel]

Their spatial arrangements and ornament prepared a quattrocento mind with visual tropes that literally fed the imagination with materials for cogitation.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Olga Raggio and Antoine Wilmering's publication on the Gubbio studiolo provides a valuable history of its palace and the quattrocento practice (s) of intarsia.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

To chapter 4, paragraph 1The quattrocento experienced an increased valuation of and investment in worldly pursuits, including the products of the mechanical arts.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Kim Kardashian came upon her career — as a person famous simply by dint of her aspiration to be — in the estimable way of the quattrocento masters: she apprenticed.    From Wordnik.com.  [Archive 2007-10-01] Reference

She wore a metallic trousered garment so adhesive that her body might itself have been gilded like the two quattrocento victories that trumpeted above the chimney-piece.    From Wordnik.com.  [Tied Up in Tinsel]

Investigation of such allusions allows us to better appreciate the workings of a quattrocento mind and the complementary roles of architecture and memory in its formation.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

The costumes are quattrocento Florentine, exactly rendered.    From Wordnik.com.  [Sketches and Studies in Italy and Greece, First Series] Reference

But she belonged to the quattrocento rather than to the nineteenth century.    From Wordnik.com.  [The Life of Mrs. Robert Louis Stevenson] Reference

II (1070), and again restored in the quattrocento, when the beautiful columns of the upper arches were added.    From Wordnik.com.  [The Catholic Encyclopedia, Volume 9: Laprade-Mass Liturgy] Reference

Renaissance abounded, are wholly wanting to the rigid, mathematical, hard-headed genius of the Florentine quattrocento.    From Wordnik.com.  [Sketches and Studies in Italy and Greece, Complete Series I, II, and III] Reference

It has two cathedrals, the ancient one near the old castle, which contains precious quattrocento paintings and inlaid stalls in the choir.    From Wordnik.com.  [The Catholic Encyclopedia, Volume 13: Revelation-Stock] Reference

Sandro Botticelli soon ranked among the most successful painters in Florence in the second half of the quattrocento next to Verrocchio, Ghirlandaio, and the Pollaiuolo brothers.    From Wordnik.com.  [Art Knowledge News] Reference