For, the castrato is not found but made (and self made), made to be extraordinary. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
The body of the castrato is exceptional in part because of its lack — it cannot reproduce. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
I thought he was a 'castrato' who, as is the custom in Rome, performed all the parts of a prima donna. From Wordnik.com. [The Complete Memoirs of Jacques Casanova] Reference
The mother presented to, me her other son, likewise very good-looking, but more manly than the 'castrato', although younger. From Wordnik.com. [The Complete Memoirs of Jacques Casanova] Reference
I think he is a very pretty 'castrato', and 'I have seen many as good-looking as he is. ". From Wordnik.com. [The Complete Memoirs of Jacques Casanova] Reference
A castrato sang the prologue and two female parts in. From Wordnik.com. [Notes on 'Sounds Romantic: The Castrato and English Poetics Around 1800'] Reference
For at the end of the mass, the castrato Folligno sang. From Wordnik.com. [The Doge’s Gold Statue « A Fly in Amber] Reference
Londoner John Evelyn reported to have heard the castrato. From Wordnik.com. [Notes on 'Sounds Romantic: The Castrato and English Poetics Around 1800'] Reference
Then got married and became a castrato like everybody else. From Wordnik.com. [Look Back In Languor] Reference
The castrato dares us to confront his body of evidence, as it were. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
And the voice of a castrato, they really had an amazing technique also. From Wordnik.com. [First Listen: Cecilia Bartoli, 'Sacrificium'] Reference
The castrato singer's corporeal supernumerarity, however, was not thus limited. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Virtuosity as we associate it with the figure of the castrato has been defined as. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
“Khádim”: lit. a servant, politely applied (like Aghá = master) to a castrato. From Wordnik.com. [The Book of The Thousand Nights And A Night] Reference
To approximate the voice of the famous castrato, Corbiau combined the voices of soprano. From Wordnik.com. [Notes on 'Sounds Romantic: The Castrato and English Poetics Around 1800'] Reference
Her historical series set in eighteenth century Italy features a castrato opera singer. From Wordnik.com. [Alfred Hitchcock's Mystery Magazine]
After all, the disappearance of the castrato during the period around 1800 is held up as. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Brilliant and astute, Brooks's humor draws a clear association between the castrato singer and. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
"Behlem would have my hide " and have Jimbob turned into a castrato and sold to the Sea-Priests. From Wordnik.com. [The Soprano Sorceress]
Therefore the rise of the castrato must derive from motivations entirely specific to the voice. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
The castrato earned much for his gift, and contributed much to help these supplicants and mendicants. From Wordnik.com. [The Doge’s Gold Statue « A Fly in Amber] Reference
The figure of the castrato can do more than vaguely aggrandize the sense of cultural progress in his absence. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Finally, through their juxtaposition, we might begin to read both the figure of the castrato and Frankenstein's. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Giovanni-Battista Mancini (1714-1800), a castrato soprano contemporary with Farinelli, was also the founder of a. From Wordnik.com. [Notes on 'Sounds Romantic: The Castrato and English Poetics Around 1800'] Reference
Now his castrato Masrúr was standing before him, and he laughed: whereupon the Caliph said At whom laughest thou?. From Wordnik.com. [The Book of The Thousand Nights And A Night] Reference
It premiered in Vienna in 1762 with the lead sung by Gaetano Guadagni, one of the most popular castrato singers of the time. From Wordnik.com. [Richard Harvell's novel about 18th-century opera, "The Bells"] Reference
Have we been too dismissive of the positive relationship between the castrato and the leveling of hierarchies, of proto-democracy?. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Every good castrato had to sing at least - because castrato was asking a composer to compose an aria - and nightingale arias, yes. From Wordnik.com. [First Listen: Cecilia Bartoli, 'Sacrificium'] Reference
However, the fact that the Creature can figure the castrato body for us does deliver light, if not in torrents then at least in rays. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Unlike the figure of the castrato, however, which romanticism generally dissociates except through ideas of his purgation and absence. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
Through the effect of the orchiectomy, the castrato singer retained the ring, the freshness, and the carrying power of the boy's voice. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
I took him for a girl in disguise, and I said so to the abbé Gama; but the latter told me that it was Bepino della Mamana, a famous castrato. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
The castrato body tests our understanding of his exception, and of exceptionalism generally, by confronting us with a body that is simultaneously partial and supernumerary. From Wordnik.com. [Sounds Romantic: The Castrato and English Poetics Around 1800] Reference
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