If one thing can be said about Kieslowski is that he loved playing with the film.    From Wordnik.com.  [2009 August] Reference

Kieslowski is known to film different options in case anything would happen while he was editing.    From Wordnik.com.  [2009 August] Reference

It's possible Kieslowski is a religious man.    From Wordnik.com.  [Archive 2005-09-01] Reference

Inspired the films of Kieslowski, I went toPoland.    From Wordnik.com.  [The Russian and the Room, 10] Reference

Kieslowski said he did not know who the character was.    From Wordnik.com.  [The False Idol of Unfettered Capitalism] Reference

But Kieslowski turned them into living, breathing entities.    From Wordnik.com.  [The False Idol of Unfettered Capitalism] Reference

(Otherwise John Ford and Kieslowski would dominate the list.).    From Wordnik.com.  [Movie List Mania!] Reference

Kieslowski is full of doubts; that was what I loved about him.    From Wordnik.com.  [Karin Badt: A Conversation with Juliette Binoche on "Certified Copy"] Reference

Parenting, Kieslowski knew, is not defined by blood or birth or gender.    From Wordnik.com.  [The False Idol of Unfettered Capitalism] Reference

Kieslowski was trying to talk about things that unite people in his film.    From Wordnik.com.  [2009 August] Reference

Kubrick, Kieslowski, and Kurosawa all had ideas worth spreading and discussing.    From Wordnik.com.  [Ron Galloway: What The Sundance Festival Can Learn From TED] Reference

Kieslowski was aware of death, he was aware of those who he had loved and who had died.    From Wordnik.com.  [2009 August] Reference

Kieslowski was right to choose her because she can be a very restraint actress in a way.    From Wordnik.com.  [2009 August] Reference

Quiet Bubble is hosting a Krzysztof Kieslowski Blog-a-Thon, scheduled to run through Monday.    From Wordnik.com.  [GreenCine Daily: Sirk, Wilder, Kieslowski.] Reference

From Kieslowski, she learned to be a perfectionist, to keep going until you got what you wanted.    From Wordnik.com.  [Karin Badt: Women Directors are Rare (For Now): An Interview with Julie Bertuccelli at Cannes] Reference

In “Bleu” Kieslowski fades to black in the middle of a scene to create a suspension in time.    From Wordnik.com.  [2009 August] Reference

For more information on Kieslowski retrospectives and events, visit The Blog Of Weronika's World.    From Wordnik.com.  [GreenCine Daily: DVD. The Double Life of Véronique.] Reference

For example, Bleu, my favorite of the Kieslowski trilogy, didn't exactly play that the local cineplex.    From Wordnik.com.  [Julie Gray: Have You Seen These Movies?] Reference

Editing is discovering the soul of the movie and Kieslowski more than any director seem to truly understand its power.    From Wordnik.com.  [2009 August] Reference

There is somehow a responsibility to life continuing and that goes against liberty which Kieslowski embraces at the end.    From Wordnik.com.  [2009 August] Reference

Kieslowski mastered the different possibilities of editing as well as the experimental, “laboratorial” side of editing.    From Wordnik.com.  [2009 August] Reference

Certainly between Kieslowski and Binoche they came up with a performance quite extraordinarily in its intensity in exploring grief.    From Wordnik.com.  [2009 August] Reference

The commandments, Kieslowski understood, were not dusty relics of another age, but a powerful compass with vital contemporary resonance.    From Wordnik.com.  [The False Idol of Unfettered Capitalism] Reference

Initially a documentarist, Bertuccelli got her teeth in directing by working as an assistant with such greats as Tavernier and Kieslowski.    From Wordnik.com.  [Karin Badt: Women Directors are Rare (For Now): An Interview with Julie Bertuccelli at Cannes] Reference

In “Bleu” Kieslowski makes it very concrete because up until the last part of the film, Julie has great deal of control and restraint.    From Wordnik.com.  [2009 August] Reference

When questioned about his film Kieslowski once said.    From Wordnik.com. Reference

The last thing you want to do after a Kieslowski film is.    From Wordnik.com. Reference

Eastwood fare; more like a Kieslowski rumination on finality and fate.    From Wordnik.com.  [Phillies Zone] Reference

Parenting, Kieslowski knew, is not defined by blood or birth or gender.    From Wordnik.com.  [Truthdig: Drilling Beneath the Headlines] Reference

Bleu, my favorite of the Kieslowski trilogy, didn't exactly play that the local cineplex.    From Wordnik.com.  [The Full Feed from HuffingtonPost.com] Reference

Sketches for a Krzysztof Kieslowski Film: Ange Mlinko: Harriet the Blog: The Poetry Foundation.    From Wordnik.com.  [Sketches for a Krzysztof Kieslowski Film : Ange Mlinko : Harriet the Blog : The Poetry Foundation] Reference

Kieslowski knew such a detail shouldn’t last more than five seconds.    From Wordnik.com.  [2009 August] Reference

The New Serial Cinema: "Red Riding," Kieslowski and Sequential Narratives.    From Wordnik.com.  [Leonard Maltin's Movie Crazy] Reference

Much as I like and admire the films of Kieslowski, I can’t say I’m a big fan of Polish cinema.    From Wordnik.com.  [Readings & watchings « It Doesn't Have To Be Right…] Reference

For 6,000 years these rules have been unquestionably right, "- Kieslowski said of the commandments.    From Wordnik.com.  [The False Idol of Unfettered Capitalism] Reference