Shelley - Fire crews responded to a house fire in Shelley early Friday morning. From Wordnik.com. Reference
Variously deployed, patriotism in Shelley is a form of what he would come to call Love: a sympathetic identification with something besides our selves, something larger. From Wordnik.com. ['A nation or a world': Patriotism in Shelley] Reference
Rebecca Shelley is the author of Red Dragon Codex and Brass Dragon Codex under the pen name R.D. Henham. From Wordnik.com. [Interview: Rebecca Shelley] Reference
Walk in Shelley's mid-Jan. 1812 letter to Elizabeth. From Wordnik.com. [About this Hypertext] Reference
The othering in Shelley's preface is not between the. From Wordnik.com. [Romantic Loves: A Response to _Historicizing Romantic Sexuality_] Reference
Shelley is always a poet with a severe moral program. From Wordnik.com. [The Beauty of the Medusa: A Study in Romantic Literary Iconology] Reference
Borushko - "'A nation or a world ': Patriotism in Shelley". From Wordnik.com. ['A nation or a world': Patriotism in Shelley] Reference
Both constituents hold in Shelley's treatment of the topic. From Wordnik.com. [Attached to Reading: Mary Shelley's Psychical Reality] Reference
Shelley is now attributed to the Flemish School, circa 1620-30. From Wordnik.com. [Image of the Head of the Medusa] Reference
Here we transcribe the original manuscript in Shelley's mid-Jan. From Wordnik.com. [Annotations] Reference
Nathaniel Brown notes that in Shelley's remarks about Greek sculpture. From Wordnik.com. [The Uses and Abuses of Historicism: Halperin and Shelley on the Otherness of Ancient Greek Sexuality] Reference
Allusions to Coleridge are equally prominent in Shelley's second novel. From Wordnik.com. [Notes, "'Mummy, possest': Sadism and Sensibility in Shelley's _Frankenstein_"] Reference
There is the slate coastline in Shelley, and there is the sand coastline. From Wordnik.com. [Rethinking the Early Shelley] Reference
With the genius of phobia, Shelley is often at his best when at his most gory. From Wordnik.com. [_Queen Mab_ as Topological Repertoire] Reference
I would argue that this is not quite the real contradiction in Shelleys poem. From Wordnik.com. [Shelley, Adorno, and the Scandal of Commited Art] Reference
(177-80) ( 'Mangling' is significant in Shelley's vegetarian poetry and prose.). From Wordnik.com. [Morton, Topoi of 'Blood and Gold' in Mary and Percy Shelley] Reference
Shelley is what Edward Blyden called "the poetry of politics" (qtd. in Appiah 26). From Wordnik.com. ['A nation or a world': Patriotism in Shelley] Reference
Here again, the correlation between Deleuze and Shelley is potentially quite precise. From Wordnik.com. [Rhyming Sensation in 'Mont Blanc'] Reference
So, too, in Shelley's Ode and its first - and second-person singulars en route to fusion in. From Wordnik.com. [Phonemanography: Romantic to Victorian] Reference
Such creatures appear elsewhere in Shelley's poetry as symbols of corrupted forms of civilization. From Wordnik.com. [The Beauty of the Medusa: A Study in Romantic Literary Iconology] Reference
Nation, Empire, Bodies, Rhetoric/Matthew C. Borushko, 'A nation or a world ': Patriotism in Shelley. From Wordnik.com. ['A nation or a world': Patriotism in Shelley] Reference
Characters in Shelley's novel are certainly judged on the basis of their capacity for fine feeling. From Wordnik.com. ['Mummy, possest': Sadism and Sensibility in Shelley's _Frankenstein_] Reference
The contributors to this volume are among those doing the most exciting work in Shelley studies today. From Wordnik.com. [About this Hypertext and the Contributors] Reference
At times, though, as in Shelley's poem, these figures are presented as though they were once living beings. From Wordnik.com. [Dialogic Text] Reference
But we can also find evidence of this sort of vitalist affective phonetics in Shelley's echo of the Breath of. From Wordnik.com. [The 'Power of Sound' and the Great Scheme of Things: Wordsworth Listens to Wordsworth] Reference
As Shelley scholar Neil Fraistat assures me, this claim of "irregularity" is rare if not unique in Shelley's work. From Wordnik.com. ['Put to the Blush': Romantic Irregularities and Sapphic Tropes] Reference
The analogous figures within Shelley's poetry, Swann proposes, at once elicit and represent our fascination with them. From Wordnik.com. [Response: Reading the Aesthetic, Reading Romanticism] Reference
Percy Bysshe Shelley is resuscitated (only to be drowned at sea in the end) as Adrian, Earl of Windsor, who would have been. From Wordnik.com. [Paley, "Apocalypse Without Millennium"] Reference
Shelley is enacting rather than simply representing the "origin" he will affirm later in the Defence as "connate" with poetry. From Wordnik.com. [Shelley's Golden Wind: Zen Harmonics in _A Defence of Poetry_ and 'Ode to the WestWind'] Reference
When coupled with the fact that Shelley is writing his translation in Italy, a country known for its sodomical tendencies, and that. From Wordnik.com. [The Uses and Abuses of Historicism: Halperin and Shelley on the Otherness of Ancient Greek Sexuality] Reference
But while most commentators would agree that - for all his tongue in cheek attitude - Shelley is "seriously" opposed to any attempt to. From Wordnik.com. [Dialogic Text] Reference
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