Novello's portrait, by Vasari, is in the grand salon of the Palazzo Vecchio in Florence. back.    From Wordnik.com.  [Architecture and Memory: The Renaissance Studioli of Federico da Montefeltro] Reference

Giuliano made another beautiful frame for another altar-piece by the hand of Vasari, which is in the Abbey of Classi, a seat of the Monks of.    From Wordnik.com.  [Lives of the most Eminent Painters Sculptors and Architects Vol. 06 (of 10) Fra Giocondo to Niccolo Soggi] Reference

In part because of enthusiasts such as Vasari and those who followed, we tend to think of drawing as beginning in the Renaissance.    From Wordnik.com.  [Defined by Line and Tone] Reference

Vasari, and their master works have been long neglected.    From Wordnik.com.  [The Mirror of Literature, Amusement, and Instruction Volume 10, No. 276, October 6, 1827] Reference

Milanesi's Vasari, and more condensed than that of Vischer.    From Wordnik.com.  [Luca Signorelli] Reference

Vasari never thoroughly read Cennino; but he bears testimony to the.    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

According to Vasari, the first paintings of this artist were in the.    From Wordnik.com.  [Encyclopaedia Britannica, 11th Edition, Volume 2, Part 1, Slice 1] Reference

From Vasari, then, we learn that Luca was born in Cortona, of Egidio.    From Wordnik.com.  [Luca Signorelli] Reference

Vasari, whose Vite de 'più eccellenti pittori, scultori e architetti.    From Wordnik.com.  [Dictionary of the History of Ideas] Reference

Vasari say "che secca non teme acqua" -- "which, dry, does not fear water?".    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

What does Vasari mean by "che accende i colori" -- "which heightens the colours?".    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

A master artist and architect himself, Vasari was loath to destroy the work of another.    From Wordnik.com.  [The Search for the Hidden da Vinci] Reference

Vasari said of it that it "rivalled the best work to be found in the Rome of its time.".    From Wordnik.com.  [Royal Palaces and Parks of France] Reference

As Vasari informs his readers, the lofty art of Raphael could only result from a lofty soul.    From Wordnik.com.  [Dictionary of the History of Ideas] Reference

Italian goldsmiths; Vasari alludes to this class of work as "a species of painting united with sculpture.".    From Wordnik.com.  [Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance] Reference

He went to England, where, says Vasari, "he executed many works in marble, bronze, and wood, for the king.".    From Wordnik.com.  [Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance] Reference

But in covering the painting, Vasari actually preserved it -- an act of generosity toward future generations.    From Wordnik.com.  [Masaccio's Deep Drama] Reference

Cennino Cennini has frequently been partially quoted from Vasari downwards; partially quoted, but little read.    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

Vasari speaks of the Navicella as "a truly wonderful work, and deservedly eulogized by all enlightened judges.".    From Wordnik.com.  [Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance] Reference

As Vasari says: "This he did that the colors might not sink through, showing the tint of the cloth on each side.".    From Wordnik.com.  [Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance] Reference

Some of the faces in the last fresco appear to be portraits, and if it be true, as Vasari says, that he painted the.    From Wordnik.com.  [Luca Signorelli] Reference

Criticism, indeed, has cleared away much of the gossip which Vasari accumulated, has touched the legend of Lippo and.    From Wordnik.com.  [English literary criticism] Reference

Because of Donatello's fame, Vasari says, the Signoria of Venice commissioned him to erect a memorial to a condottiere.    From Wordnik.com.  [Monument to a Mercenary] Reference

When we come to Michel Angelo, his Sonnets and Letters must be read, with his Life by Vasari, or, in our day, by Mr. Duppa.    From Wordnik.com.  [The Atlantic Monthly, Volume 01, No. 03, January, 1858] Reference

Vasari says, with truth, that, though painted in the Greek manner, they show an approach toward the modern style of drawing.    From Wordnik.com.  [The Atlantic Monthly, Volume 03, No. 17, March, 1859] Reference

Vasari, the organ and other musical instruments in this picture were painted by one of the master's pupils, Giovanni da Udine.    From Wordnik.com.  [Among the Great Masters of Music Scenes in the Lives of Famous Musicians] Reference

Vasari speaks with characteristic enthusiasm of the glyptics of the Greeks, "whose works in that manner may be called divine.".    From Wordnik.com.  [Arts and Crafts in the Middle Ages A Description of Mediaeval Workmanship in Several of the Departments of Applied Art, Together with Some Account of Special Artisans in the Early Renaissance] Reference

On both sides of the Piazza, along the basement floor, extends a wide and lofty colonnade, by Vasari (1560-74), ornamented with.    From Wordnik.com.  [The South of France—East Half] Reference

This picture was, also, according to Vasari, painted as a present for Lorenzo dei Medici, and was for many years in the villa of.    From Wordnik.com.  [Luca Signorelli] Reference

Vasari, and speaks of the difficulties he lay under in obtaining any certain dates, particularly with regard to Venetian matters.    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

Appropriately, the first one came to life in Florence in 1563 (Accademia del Di - segno) with Vasari as its initiator and organizer.    From Wordnik.com.  [Dictionary of the History of Ideas] Reference

Caracci; though, perhaps, as little understood by the Bolognese as by the blindest of his Tuscan adorers, with Vasari at their head.    From Wordnik.com.  [Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843] Reference

The picture soon disappeared, and Vasari says that in his time it was no longer in existence, or else was probably at Fontainebleau.    From Wordnik.com.  [The International Monthly, Volume 3, No. 1, April, 1851] Reference

Much Renaissance art was in its time considered shockingly secular: according to Vasari, Botticelli repented and gave up painting, and.    From Wordnik.com.  [Taste for Makers] Reference

The references to Vasari, and Crowe and Cavalcaselle, are invariably to the latest editions, both in Italian: "Opere di Giorgio Vasari".    From Wordnik.com.  [Luca Signorelli] Reference

Vasari does not say, in quoting this inscription, that Antonello was the first who painted in oil, but the first who gave splendour, &c.    From Wordnik.com.  [Blackwood's Edinburgh Magazine, Volume 57, No. 357, June, 1845] Reference

Vasari thus relates the incident: Luca had a son, "beautiful in face and person, whom he loved most dearly," killed in Cortona, whereupon.    From Wordnik.com.  [Luca Signorelli] Reference